Quality Crafts


The first things that caught my eye at this exhibition at Worthing Museum & Art Gallery were some large and dramatic wood cuts of the Royal Pavilion in Brighton and a scene from the Trooping the Colour by Jackie Field. At the other end of the gallery, I was drawn to a series of small-scale black and white wood engravings by printmakers Sue Scullard and Rosamund Fowler. Their images are stunning, in the intricacy of the workmanship and in the beauty of their themes. Both are inspired by the natural world: Sue’s prints feature landscape, woodland and the sea; and Rosamund’s images of wild and domestic animals and birds are truly delightful.

Rosie Jones creates sculptures of dynamic nudes: their smooth, sensual bodies emerge from rough-hewn blocks of white Carrara marble, like Michelangelo’s Awakening Slave. Her expertly-sculpted Basking Nude has the erotic charge of a work by Rodin, which is saying something. Moving on, I found the work of silk textile artist Diane Rogers strange and compelling. With photographs as reference points, she uses dyes to paint or print images onto silk, and develops textures and details with embroidery by hand or free-machine stitching through a quilted layer. Textures found in tree bark, beach pebbles, tangles of nets and rock pools inspire her to create close-up abstractions that appear to be flat, graphic images and three-dimensional objects simultaneously.

Rosi Robinson is a painter, but her method of working is totally new to me. Her large figurative works initially look like watercolours, but she actually uses the technique of batik to make her art, applying layers of wax and dyes onto the surface of the fabric. With great skill, she has taken batik from its pattern-making origins in the Far East and turned it into her own Western way of painting.

It would be an injustice to call John Plater’s creations merely wooden bowls: they are objects that reveal the intense beauty of a natural material that we usually take for granted. Often made with timber that would otherwise be used as firewood, John’s work highlights the essential nature of British-grown hard and soft woods like walnut, yew, chestnut, ash and oak: polished, grained surfaces contrast with roughened edges and raw bark. Jonathan Chiswell Jones is a modern alchemist who makes lustreware ceramics using a process developed in the Islamic Empire over a thousand years ago. Metallic salts are mixed with clay and painted onto the surface of the glazed pot: some kind of magic then happens in the next firing, which results in the surface becoming light reflective, creating iridescent colours and a golden sheen.

Members of The Sussex Guild are professional designers, artists and makers, and this exhibition of their work shows just how skilled they are. There are brilliant examples of traditional craftsmanship and contemporary design, and exhibits range from large, colourful prints and delicate engravings, to marble sculptures, creative textiles and exotic ceramics.If you’re interested in seeing stunning works of art and craft by talented, professional makers, you really must come along to this show.

The Sussex Guild Exhibition at Worthing Museum continues until Saturday 13 August 2016.

Small Is Beautiful


There’s a brilliant exhibition of dolls’ houses at Worthing Museum right now. You can see miniature townhouses and grand villas, dating from the 19th and early 20th centuries, along with a display of precious little dolls. All the items belong to the museum’s reserve collection and aren’t normally on show, so this exhibition is a rare chance to have a look at these fine examples of craftsmanship, most of which seem far too grand to be children’s toys. Even from a grown-up’s perspective, they are enchanting, with domestic scenes of Victorian ladies taking tea, gentlemen in the drawing room and nanny bathing the baby.

The exhibition is on in the Studio at Worthing Museum & Art Gallery until 20 February.

Back to the Beach


Back to the Beach is a seaside-themed exhibition of work by members of local group, Worthing Art Studios, currently showing at Worthing Museum. Participating artists include: Barry Williams – super photographs and brilliant mini conversation pieces in old mackerel tins; Sarah Sepe – colourful, joyous lino prints / collages; Naomi Frances – wonderful creations made from mirrors, shells and stained glass; Mary Crabb  – unique basketry items, like beautiful little lobster pots, made from cane and  coloured wire; Wendy Whiting – a single vivid, abstract, atmospheric oil painting.


The exhibition is on until 22 August: don’t miss it.

Love 4 Landscapes


The Studio Gallery at Worthing Museum was full of colourful paintings of landscapes and seascapes, subjects which, as a painter, I am always pleased to see. Most of the show was dedicated to the paintings of Tom Gillham, a local artist whose work ranged from highly-detailed realist views of parks to vivid images of hearts painted in an expressionist style. I was drawn to his intensely-coloured, thickly painted views of Worthing beach and seafront. Seafront at Twilight (above) and Worthing Dome (below) struck me as the best pieces in the series, reminding me of the swirling skies and starry nights of Vincent van Gogh, and the melancholy Englishness of John Piper. Tom has donated one of the paintings on display, Kite Surfers, to the Big Heart Auction, an online event to raise funds for the Chestnut Tree House children’s hospice.

Tony Gillingwater’s work was on a larger scale than Tom’s, and much more mysterious and controlled. There were three canvases of trees that I found compelling: the compositions were striking and the colours beautiful. There was no information about these paintings or about the artist, but the work spoke for itself very eloquently.

Love 4 Landscapes continues at Worthing Museum & Art Gallery until 21 February 2015.

Reclaiming Childhood


Claire Phillips: Reclaiming Childhood at Worthing Museum & Art Gallery continues until 24 January 2015.